Schwarz, Reiner (*1940), The man with the scissors, 1969

Reiner Schwarz(*1940 Hirschberg), The man with the scissors , 1969. Lithograph, 30 cm x 21 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]69”, identified as copy no. 17/100 lower left and inscribed “Der Mann mit der Schere” in the center.

- in excellent condition

- The Instrument of Reality Formation -

The sitter in profile appears to be composed of hump-like bulges that form pink and green areas. The sitter's uniform appearance dissolves into a disparate yet interrelated entity. The scissors, which the "scissor man" uses beyond the lines of the drawn picture frame and thus also in reality, refer to this "division", which is further emphasized by the slightly open blades of the scissors.

About the artist

After being expelled from Hirschberg in Silesia, Reiner Schwarz spent his youth in Hannover. In 1960 he began studying at the Hochschule der Künste in Berlin with Mac Zimmermann and produced his first lithographs. In 1962 he made study trips to Florence and Venice, and in 1965 to Rome. He was particularly fascinated by Italian art, Sienese painting, and Mannerism. His first solo exhibition at the Galerie Schnoor in Bremen in 1964 was the beginning of more than 150 exhibitions in Germany and abroad.

In 1974 Reiner Schwarz established a print studio in Berlin, where he perfected the technique of lithography, using up to 17 colors on various tone papers. In 1987, his artistic encounter with Rolf Münzer and Peter Schnürpel at the Kätelhön print studio inspired him to explore the world of "abandoned and lonely" everyday objects as melancholy traces of memory instead of people. Initially, he used large-format wrapping paper from the GDR. In 1990 Schwarz became a member of the Künstlersonderbund in Germany.

Galerie Brusberg, which represented the artist for more than 20 years, published a catalogue raisonné of Reiner Schwarz's lithographs in 1984.

"He does not want to be just a draughtsman, but an interpreter, a reinterpreter, a metaphorist who creates mutants and thus visualizes the invisible, the known and the seemingly banal that is about to be transformed into eternity; the brief moment of an all too fleeting present, nature next to nature, reality next to reality. It is therefore a subversive realism that questions our everyday thinking, that refuses to grasp things quickly by means of exaggerated precision, that thwarts cognition, denatures the world and melts it into a pictorial puzzle [...]".

Edwin Kratschmer